Chamber


support (2018)

Approx. 7'30". for horn, violin and piano.


Keeping 3:04 AM (2017)

Approx. 6'30”. for countertenor, violin and piano.

Written for the Kuyum Ensemble.

Text by Madison Katz.


6' 30". for mezzo-soprano, flute, clarinet, violin and cello.

Commissioned by the Western University School of Graduate and Postdoctoral Studies.

Written in collaboration with Nunatsiavut Inuk Artist and Activist Delilah Saunders.


6'. for electric bass, piano and percussion.

Written for Bearthoven.


Through Storms (2016)

Approx. 6'. for amplified and electronically processed ensemble: flute, cello, piano.

Commissioned by the Trinitas Ensemble.


12'. for contrabassoon, viola and korg kaossilator.

Commissioned by the Caution Tape Sound Collective.


6'30”. for string quartet

Written for the JACK String Quartet.


12'. for classical guitar duo.

Commissioned by the Altius Duo.


When the Jazz Man is Testifyin' (2015)

9'. for string quartet.

Written for the Noseworthy Quartet to be performed during the 2015 Wilfrid Laurier University Quartetfest.


A Cut (2015)

for viola and piano.

Commissioned by Victoria Bernath, viola and Ashley Beauchamp, piano.


14'.

Written for Victoria Bernath, viola and Jillian Blythe, cello.


Music for a yet Unnamed Narrative (2014)

20'. for flute, saxophones, violin, electric keyboard, electric guitar and percussion.


6'30”. for piano trio.


Activity Cycles (2014)

10'. for flute, clarinet in Bb (dbl. bass clarinet), violin, cello, piano and percussion.


20'. song cycle for voice (high and low versions) and piano/electric piano/synthesizer.

Text by Colin Bonner.


We're Here (2013)

7'. for percussion quartet.


Dual Portability (2013)

5'. for korg monotron and toy piano.


I Drink Dust Water (2013)

3'30”. for alto flute, violin, cello and piano.


Different Planes of the Astral Existence (2013)

10'. for flute, tenor saxophone, viola, cello (or double bass), electric guitar and electric piano.


The Transparency (2012)

7'. for trumpet and percussion.